The more I work in design, the more I notice the damn stuff everywhere. A few collected comments...
O2's graphic designers have clearly discovered Bryce, and they luurrrrve it. That, or one of their advertising execs thinks Bryce's desert-and-moon landscapes are really, really great. I've been seeing them in game publications for years though, so they end up looking a bit naff to me.
Paddy Power have chutzpah. There was a billboard ad for their casino site a couple of weeks ago, featuring the Last Supper, with the table covered in cards, roulette tables, and so on, with text "There's a place for fun and games". Some either clueless or paid-by-Paddy-Power churchman did a whole lot of protesting and complaining, and the ad got coverage in national newspapers. Eventually, under a storm of protest from various quarters, they retracted the ad - and replaced it with one reading, in big red text on a plain white background, "There's a place for fun and games, and apparently this isn't it.", and a url you can go to to see the ad.
Finally, the power of the window display never fails to amaze me. I had the notion that this season's A-Wear lines (yes, I do in fact notice these things) were much better than usual, and yet looking at the clothes proved that actually, they're no better than usual. This mystified me until I saw the backdrop images in the windows - white and gold baroque rooms. Nothing to do with the clothes, but a direct line to my sense of taste.
O2's graphic designers have clearly discovered Bryce, and they luurrrrve it. That, or one of their advertising execs thinks Bryce's desert-and-moon landscapes are really, really great. I've been seeing them in game publications for years though, so they end up looking a bit naff to me.
Paddy Power have chutzpah. There was a billboard ad for their casino site a couple of weeks ago, featuring the Last Supper, with the table covered in cards, roulette tables, and so on, with text "There's a place for fun and games". Some either clueless or paid-by-Paddy-Power churchman did a whole lot of protesting and complaining, and the ad got coverage in national newspapers. Eventually, under a storm of protest from various quarters, they retracted the ad - and replaced it with one reading, in big red text on a plain white background, "There's a place for fun and games, and apparently this isn't it.", and a url you can go to to see the ad.
Finally, the power of the window display never fails to amaze me. I had the notion that this season's A-Wear lines (yes, I do in fact notice these things) were much better than usual, and yet looking at the clothes proved that actually, they're no better than usual. This mystified me until I saw the backdrop images in the windows - white and gold baroque rooms. Nothing to do with the clothes, but a direct line to my sense of taste.
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{cue evil laughter}
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Although, I hear Microsoft are doing to be doing their best - the new Windows will have all new typefaces, much better than the current ones.
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A-Wear
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Bowe, Nicola Gordon (1993) Art and the national dream: the search for vernacular expression in turn-of-the-century design, Irish Academic Press, Dublin
Other than that, there should be sections or chapters in any decent book on Art Nouveau (like this one (http://www.amazon.co.uk/exec/obidos/ASIN/0719041619/ref=sib_rdr_dp/202-0660447-2552637)), but I'd need to actually get into the college library and check in person to be able to tell in any more detail.
I'm not sure if he's technically Art Nouveau, or just of similar period and ideas, but we have one on Carl Larsson, the Swedish illustrator, that might be relevant?
Faunce, Sarah (1982) Carl Larsson, Holt, Rinehart, and Winston, New York
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Scandinavian romanticism?
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I'd be interested to see what response the actual authorities for advertising got to those two ads; I suspect a lot more of the ordinary public were offended by the woman-in-labour one than by the Last Supper. It's also a bizarre sideswipe into the thinking of Intellectual Property; the church protecting their trademarks.
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Some ads make me annoyed because of the amateurish values, others make me impressed.
The Library staff are still fighting the grey on grey mess that the graphic people in Dublin City Council decided would be good colours. They work on the internet but they really don't work in real world signage, particularly with sun-fading.